The Demons

DVD Features

Sound: 2.0 Stereo & 5.1 Surround

Discs: 1

• Highest Rating
  "The doubts, fears, and yes, horrors of life beneath the comfortable surface of a Montreal suburb are subjected to the quizzical, pained gaze of a sensitive 10-year-old in Philippe Lesage’s laconic, unsettling The Demons. Via cool observation, a studied but not glacial pace, and a troubling yet compelling atmosphere of permanent unease, this rewarding, thoughtful second feature from an erstwhile documentary maker blessed with a coolly quizzical eye asks major questions about what kind of world our paranoid, neurotic society is making for its children."
  Jonathan Holland, The Hollywood Reporter
• Highest Rating
  "Fevered imagination and nightmarish reality brush shoulders to disconcerting effect in “The Demons,” Quebecois filmmaker Philippe Lesage’s extraordinary examination of childhood fears festering in broad suburban daylight. Putting his documentary training to disciplined use as he teases out the largely internalized insecurities — sexual, social and practical — of his 10-year-old protagonist, Lesage initially balances good-humored humanism with a formal sangfroid suggestive of a summer-brightened Haneke. A provocative shift in perspective at the midway point, however, calls the irrationality of those young neuroses into question: It’s a gambit that ... leaves little doubt as to the expertise of the film’s directorial manipulation. A competition standout at San Sebastian, this difficult but frequently dazzling film promises still heftier work from its helmer...."
  Guy Lodge, Variety
• Highest Rating
  "...easily one of the best Canadian films of the year...."
  Adrian Mack, The Georgia Straight
• Highest Rating
  "This film isn’t just ‘shocking’, it’s profoundly frightening in a way that only a skilled, thoughtful craftsman can succeed in. Finding equal anxiety in the paranoias of the human mind and the threats of our surroundings, this is the coming-of-age film at its most fiercely un-nostalgic and the horror film at its most cunningly abstract."
  David Pountain, FilmDoo