“Riveting. Astounding and cleverly structured… complete with Lynchian echoes of Twin Peaks. ” —The Hollywood Reporter
A seemingly divine premonition leads Norwegian sisters Kari and May to buy an apartment in the small Swedish town of Gullspång. To their surprise, the seller looks remarkably similar to their older sister Astrid, who committed suicide thirty years earlier. What’s even more odd is that this doppelgänger used to go by “Lita,” the same nickname as their deceased sister.
“Moving and funny...[a] fantastic blend of reality and fiction.” —Eastern Kicks
Executive produced by Adam McKay, Alan Cumming and Joel Kim Booster, ASOG is “essential viewing as queer cinema, as political cinema and as climate cinema.” (Eastern Kicks) Director Seán Devlin reiterates the importance of resistance and companionship in a world of environmental, economic and social precarity.
“Distinctive...artful” —Asian Movie Pulse
A standout by Roman Porno master director Noboru Tanaka, THE OLDEST PROFESSION distinguishes itself within the genre with its bold use of form, gut-wrenching performances and uncompromising depiction of the realities of sex work in 1970s Japan, creating one of “the most distinctive titles of the category” (Asian Movie Pulse).
New 4K Restoration
Considered one of the first true fly-fishing films, Tarpon brings together famed American authors Richard Brautigan, Tom McGuane, and Jim Harrison with legendary flats guides Woody Sexton, Gil Drake, and Steve Huff as they muse about life, art, nature, and fishing the majestic Tarpon.
“Beautifully realized.... Both desolate and exquisite.” —The Hollywood Reporter
Three stories of migration, exile and memory develop in the Cuban town of San Antonio de los Banos, a place that time forgot. Brilliantly capturing the complexity of life in Cuba today with striking cinematography and a remarkable cast of first-time actors, Oceans are the Real Continents is a “wistful and poetic journey sure to linger on in memory” (InReview Online).
“Melodic and meaningful. Calming and humanizing.” —Variety
How is happiness measured? Can satisfaction with one’s life be rated on a scale from one to ten? AGENT OF HAPPINESS is a holistic exploration of Bhutan’s Gross National Happiness index, using “meaningful visual contrast to scrutinize Bhutan’s narrative about itself,” (Variety). Filmmakers Arun Bhattarai and Dorottya Zurbó carefully craft a visually stunning, tender narrative around the age-old quest to find the purpose of life.
“The first South African film to truly represent apartheid onscreen.” —OkayAfrica
Widely considered one of the most influential African motion pictures of all time, MAPANTSULA has been newly restored in 4K from the original 35MM negative. During demonstrations in apartheid-era South Africa, the police arrest Panic (Thomas Mogotlane), a “mapantsula” or petty gangster, while rounding up activists. His interrogation reveals the motivation for his involvement in the township riots. Now, he is forced to choose between his personal freedom and taking a stand in the fight against the oppressive apartheid government.
“Transforms from eccentric dramedy into a gripping, metatextual thriller.” —Washington City Paper
A steamy encounter with a new neighbor who has gone missing leads the recently unemployed Lucia to take on work as a cab driver in hopes of finding the man that reawakened her latent sexuality. Slyly fusing genres while subverting their expectations, Antonio Méndez Esparza’s SOMETHING IS ABOUT TO HAPPEN is sexy, daring and ultimately liberating. Esparza pushes the mid-life crisis to its exuberant extreme.
“Fascinating…A frank exploration of a seriously hot topic.” — Screen Daily
Filmmakers Hans Block and Moritz Riesewieck examine one of the latest major breakthroughs in AI technology – open language models that enable realistic conversations with virtual reality avatars built using characteristics of the deceased. In essence, bringing the dead to digital life. “A sprawling portrait of the emerging business that is digital afterlife technology,” (Rolling Stone), ETERNAL YOU both glimpses what the future of death in capitalism holds and examines what the human costs might be.
“A stunning return. A quietly astonishing new movie.” —The New Yorker
Over three decades after the release of his previous film, revered Spanish auteur Víctor Erice (The Spirit of the Beehive, El Sur, and Dream of Light) returns with a “poignant cinematic swan song” (The Hollywood Reporter). A reflective culmination of Erice’s career in film, Close Your Eyes is a haunting meditation on memory, absence, and the enduring resonance of the moving image.