Wheel of Fortune and Fantasy

Directed by Ryusuke Hamaguchi
Film Movement
2021
121 Minutes
Japan
Japanese
Drama, Romance, Asian
Women's Studies, Asian Studies
Not Rated
DVD $150.00
PPR $350.00
DRL $499.00
PPR+DRL $599.00

To submit an order, request a preview screener, or ask a question contact Maxwell Wolkin

An unexpected love triangle, a failed seduction, and a chance encounter with the past. Propelled by coincidence and imagination, and guided by love’s gentle current, acclaimed director Ryūsuke Hamaguchi (Happy Hour, Asako I & II) returns with an enchanting triptych that spins mundane encounters into a world of infinite possibilities. In Episode 1: Magic (or Something Less Assuring), a young woman is startled when she realizes that her best friend’s new flame might just be her ex; in Episode 2: Door Wide Open, a disgruntled student plots to trick his college professor, using his friend-with-benefits as bait; and in Episode 3: Once Again, a girl’s college reunion leads to an unanticipated run-in with an old friend, and awakens feelings long since forgotten. Playfully inspired by life’s tiny miracles, and bound together by memory, regret, deception, and fate, Hamaguchi leaves no stone unturned in his quest to chart the ever-deepening mysteries of the all-too-human heart.

DVD Features

Sound: 5.1 Surround & 2.0 Stereo

Discs: 1

  • Highest Rating
    "A playful triptych of self-contained vignettes... wonderfully beguiling.... "
    David Ehrlich, IndieWire
  • Highest Rating
    "It is a stunning production, from the precision of Hamaguchi’s script and direction, the fine performances, and Yukiko Iioka’s gorgeous camerawork, to Fuminori Usui’s everyday costuming, the bright colors and natural light, and the gently lilting score. It’s an overwhelming film, amongst the best of the year, and a beautiful reminder of all the lives being lived in spite of our oddly lifeless time."
    Rory O'Connor, The Film Stage
  • Highest Rating
    "The geometry of desire is elegantly plotted in “Wheel of Fortune and Fantasy,” a wistful, moving, outwardly unassuming movie. [It] is a perfect entry point into Hamaguchi’s work. [B]oth times I watched this movie, I found something to admire, consider, argue with and weep over. Critic's Pick!"
    Manohla Dargis, The New York Times
  • Highest Rating
    "Full of understated, melancholy poetry. Hamaguchi’s intimate snapshots of middle-class angst are unusually humane by the standards of modern cinema, frequently invoking Eric Rohmer’s warmly indulgent depictions of Parisian bourgeois ennui. Emotionally authentic and consistently absorbing."
    Stephen Dalton, The Hollywood Reporter
  • Highest Rating
    "Ingenious, playful, sparklingly acted and thoroughly entertaining portmanteau collection. Elegant and amusing, with a delicacy of touch and real imaginative warmth. The narratives saunter along lightly but fundamentally seriously, asking us to consider how the paths we take in life – the wrong turnings, the right turnings – can be governed by the merest chance. An invigorating experience."
    Peter Bradshaw, The Guardian
  • Highest Rating
    "A poignant, sometimes piercing triptych of tales, each one predicated on chance encounters and romantic possibilities (the original Japanese title translates as “Coincidence and Imagination”), it finds Hamaguchi in playful, beguiling and quietly affecting form. The unforgettable closing image contains emotional multitudes, and it throws the meaning of all three stories into subtly clarifying relief: The past may be irretrievable, but the present is still a gift."
    Justin Chang, Los Angeles Times
  • Highest Rating
    "Ryûsuke Hamaguchi's film is an alternately scathing, erotic, terrifying, and affirming fable of the primordial power of storytelling."
    Chuck Bowen, Slant Magazine
  • Highest Rating
    "Three lovelorn episodes about “coincidence and imagination”, as described by writer-director Ryûsuke Hamaguchi, comprise this wondrous, searching and loquacious film. Hamaguchi has spoken of his debt to Éric Rohmer, and, akin to that filmmaker’s work, there’s plenty of prose and dialogue to absorb across these thematically twined tales, elegantly rendered by artful camera placements and sly, disorienting shot selection."
    Joseph Owen, The Upcoming
  • Highest Rating
    "Hamaguchi's beautifully written, elegantly crafted triptych is a melancholy delight."
    Orla Smith, Seventh Row
  • Highest Rating
    "Hamaguchi proves himself to be one the most astute observers of human conditions in contemporary cinema. It's one of those films you want to see it again immediately after finishing it."
    Dustin Chang, Screen Anarchy
  • Highest Rating
    "Wheel of Fortune and Fantasy is another aching, beautiful film from Hamaguchi, and plays like the visualization of an obscure literary collection begging for rediscovery."
    Nicholas Bell, Ion Cinema
  • Highest Rating
    "[I]n terms of conceptual ambition and formal adventurousness, Wheel Of Fortune is every bit the equal of Drive My Car. It’s also arguably the most concerted expression of Hamaguchi’s artistic preoccupations to date.""
    Lawrence Garcia, The AV Club
  • Highest Rating
    "Wheel of Fortune and Fantasy exquisitely showcases Hamaguchi’s gift for homing in on moments of person-to-person contact and dilating its particular, hair-trigger tensions. "
    Matthew Eng, Reverse Shot
  • Highest Rating
    "A haunting, funny, tightly written meditation on loneliness and connection...."
    Alissa Wilkinson, Vox
  • Highest Rating
    "“Wheel of Fortune and Fantasy” is a love letter to the art of spinning a good yarn, but it’s also a sharply observed paean to the lies and truths we tell ourselves so that we may function from day to day."
    Odie Henderson, RogerEbert.com
  • Highest Rating
    "The more familiar I become with his work, the more fascinated I am with both the exacting, un-showy stylistic control and philosophical resonances of “Wheel of Fortune and Fantasy.” "
    Godfrey Cheshire, RogerEbert.com
  • Highest Rating
    "“Wheel of Fortune and Fantasy” highlights once more, its filmmaker’s intimate knowledge of the human psyche, and the rather original and intelligent cinematic way he has come up with in order to present its various aspects."
    Panos Kotzathanasis, Asian Movie Pulse
  • Highest Rating
    "Wheel of Fortune and Fantasy is a gorgeous trifecta of human connections that deserves to be seen for its extraordinary simplicity and varying perspectives. Don’t miss it."
    Shashwat Sisodiya , High On Films
  • Highest Rating
    "[T]he situations he conjures, probes and plays with in this film are a joy to watch unfold."
    Matt Turner, Little White Lies
  • Highest Rating
    "Delicately written and deeply thought-provoking, Hamaguchi's anthology feels like it's been adapted from a novel, such is the exquisite nature of the characterisation."
    James Mottram, South China Morning Post
  • Highest Rating
    "{F]resh and original, and – above all – sociologically sharp. "
    Mateusz Tarwacki, Eye For Film
  • Highest Rating
    " I haven’t been this enamored by an anthology film since Wild Tales.... The movie is relatable, entertaining, melancholy, and impeccably produced with every facet in front of and behind the camera firing on all cylinders. And it’s also authentic in its pain. Whether succumbing to or conquering, its impact remains."
    Jared Mobarak
  • Highest Rating
    "Hamaguchi is a master of character development."
    Valerie Complex, Deadline Hollywood
  • Highest Rating
    "This has some of the most authentic, and beautiful, scenes of any movie I’ve seen this year..... It’s thoughtful and beguiling. I was won over completely."
    Brian Skutle, Sonic Cinema
  • Highest Rating
    "Whimsical and poignant."
    Andrew Bundy, The Playlist
  • Highest Rating
    "Wheel of Fortune and Fantasy is not to be missed. It is a seemingly flawless work that expertly gives shape to the many intricacies of love and desire. It is an honest film that paints its female characters as deep, enriching individuals with emotions that vastly stretch beyond the age-old stereotypes often afforded to women in love. Heavily steeped in conversation, such dialogue is the movie’s strength, powering the viewer forward through each chance interaction towards a plane entirely free of preconceived ideas and that instead revels in the messiness and beauty that is so often described as love."
    Miyako Pleines, Spectrum Culture

Gallery

Awards & Recognition

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