Ilo Ilo

Directed by Anthony Chen
Film Movement
2013
99 Minutes
Singapore
Mandarin, Tagalog, English
Coming of Age, Asian, Drama
Asian Studies, Immigration, Migration Studies, Coming of Age, Aging, Human Rights, Gender Studies, Women's Studies
Not Rated
DVD $17.97
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PPR $200.00
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DRL $499.00
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PPR+DRL $599.00
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Set in Singapore during the 1997 Asian financial crisis. Ilo Ilo chronicles the day-to-day drama of the Lim family - troublesome grade-schooler Jiale and his overstressed parents, Heck and Leng. Comfortably middleclass and with another baby on the way, they hire Teresa, a Filipino immigrant, as a live-in maid and nanny. An outsider in both the family and Singapore itself, Teresa initially struggles to manage Jiale's antics and find her footing in her new community. The two eventually form a unique bond, but just as Teresa becomes an unspoken part of the family, unforeseen circumstances in an uncertain economy will challenge the new normal yet again.

"Set in Singapore during that nation’s 1997 financial crisis... this Cannes Film Festival award-winner is highly recommended." - Video Librarian

Cast

  • Yeo Yann Yann
  • Chen Tianwen
  • Angeli Bayani
  • Koh Jia Ler
DVD Features

"Making Of" Featurette\n\nFull Theatrical Trailer\n\nBonus short: Blik, directed by Bastiaan Schravendeel

Sound: Stereo 2.0 and 5.1 Surround Sound

Discs: 1

  • Highest Rating
    "Anthony Chen’s portrait of a family in 1997 Singapore is one of those rare films that manages to capture an entire period within an intimate slice of life. Beautifully acted and precisely observed, Ilo Ilo is an amazing debut, full of heart and intelligence. "
    Ang Lee, Oscar-winning director
  • Highest Rating
    "A small gem about how families learn to persevere during the toughest times...Its emotional wallop sneaks up on you!"
    Tim Grierson, ScreenDaily
  • Highest Rating
    "The very beating heart and soul of cinematic storytelling."
    Robert Koehler, Film Comment
  • Highest Rating
    "CRITIC'S PICK. This remarkably terse movie doesn’t waste a word or an image. It refuses to linger over each little crisis its characters endure. And its detachment lends a perspective that widens the film’s vision of people reacting to events beyond their control. "
    Stephen Holden, The New York Times

Gallery

Awards & Recognition

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