A Woman Called Sada Abe
Based on the shocking true story of a geisha and sex worker who accidentally killed her lover in a lustful haze of unbridled passion and kinky sex, A Woman Called Sada Abe is a watershed of hallucinatory erotic cinema. Director Noboru Tanaka, who rose to prominence as one of Nikkatsu’s leading Roman Porno auteurs, framed the tale as both a “true document” and an ode to decadence that lays bare the candid details of the infamous couple’s obsessive relationship. Exquisitely shot with striking period piece production design and expressive mise en scene, the film’s raw emotional power is further exemplified by the bold and inspired performance of pink film and Roman Porno super starlet, Junko Miyashita. Preceding Nagisa Oshima’s renowned telling of the same sensationalized crime, In the Realm of the Senses, by a year, A Woman Called Sada Abe, “ is more intimate, more cinematically stylized and arguably more erotic." - Jasper Sharp, Midnight Eye
Director & Cast
- Director: Noboru Tanaka
- Starring: Junko Miyashita
- Starring: Eimei Esumi
- Starring: Genshu Hanayagi
Where to Watch
Trailer
Photos
Reviews
- "Based on the same real-life story that Nagisa Oshima chronicled in In the Realm of the Senses (1976), this film, made in 1975, is more realistic and sympathetic. [T]he brazen performance of Junko Miyashita in the title role... lifts the sad, tawdry tale into borderline tragedy."
- "Many critics reckon that “A Woman Called Sada Abe” is greater than Oshima’s version, which was released one year after this film. It isn’t as explicit and erotic as Oshima’s version but has many beautiful sexual and romantic scenes."
- "As much as Oshima’s version, this is a real movie about a sexual relationship, not an exercise in titillation or masturbation fantasies. A Woman Called Sada Abe can hold its own in any comparison with Oshima’s version of the story and avoids the self-indulgence of Last Tango in Paris, another more famous movie about a couple held together in one room only by sexual passion ."
- "Tanaka's version is certainly the more accessible of the two. Aside from being less sexually explicit, it is also smaller scale, more intimate, more cinematically stylised and arguably more erotic."
Rio De Janeiro Int'l. Film Festival
